Why Rome Gives You Space When Everything Slows Downby Luciano Di GregorioThere are cities that punish you the moment you fall out of step. I have lived in many of them. Hong Kong, Sydney, London. In those places, forward motion is treated like a kind of moral virtue. If you stop, even for a moment, people look at you with the concern they would give someone who might faint. You learn to offer constant updates, steadying the tremor in your voice as you justify your lack of productivity. You claim that you are between contracts; you say that the market is strange right now, that the gap is strategic, when in reality you are taking time to work on a novel or taking a short break before the next thing begins. You make it clear that this pause is temporary, purposeful, already accounted for. Pause, in those cities, feels like a liability. If you are not visibly moving forward, you are expected to explain why. After a while you start to believe that any pause is the beginning of a kind of collapse. Rome does not work like that. It is a city where anonymity is not loneliness. It is permission. Nobody watches your tempo. Nobody treats your silence as a problem that must be solved. If you disappear for a few weeks, people assume you were living your life. If you reappear, they are just glad to see you. Rome doesn’t keep track of your absences. In my ten years in Hong Kong, I often felt as though the city kept a mental spreadsheet of who was advancing, who was being productive and who had paused. Any gap in your life needed an explanation, or you just avoided having them. In Rome you can fall off the map for a while and no one assumes it is a crisis. They simply assume you were living. I always felt that part of the explanation lies in Rome’s relationship with time. It is a city accustomed to delays, interruptions and negotiations with the past. Look at the building of metro lines, for example. Plans change, shift. Projects stall. You can watch a construction crew pause because someone has uncovered a column that no one expected to find. People complain, of course, but beneath the irritation there is an acceptance that nothing here moves in a straight line. The city has survived too much to be impressed by any sense of urgency. When you live around structures that have endured collapse after collapse, the idea of personal derailment begins to look far less dramatic. This perspective filters into the way Romans handle their own lives. People change direction without apology. They take work when it appears and let it go when it dries up. At the same time, Rome is also a place where people settle into jobs and remain in them for decades, not because those roles are perfect but because stability is rare and leaving can feel impossible. Both instincts coexist. You have people who drift and people who fossilise, and no one treats either path as a moral achievement or a personal failure. That is the point. Different tempos are allowed to exist without anyone insisting one is better. One friend of mine finished a psychology degree and then spent two years in a bakery because there was nothing else available. Another left her office job on a Wednesday morning and decided she would deal with the consequences later. These stories are not treated as revelations. They are part of the rhythm of the place. And instead of asking why your plans fell apart, Romans tend to ask something else entirely, which is whether you have eaten. I understand this sounds like a cliche lifted from a sentimental travel memoir, but it is true. It is their way of saying that you are still a person and you can sit down for a moment. You see this attitude everywhere. People are allowed to step back without becoming a talking point. A quiet period in your life is not read as a confession of failure. It is treated as something that happens to everyone sooner or later. Rome is far more comfortable with uncertainty than the cities that pride themselves on efficiency. Here, a pause is simply a pause. And when someone genuinely needs help, the city responds in another register entirely. Last year I watched an old man break down in the post office, papers shaking in his hands. Nobody stared. Nobody whispered. People stepped in at once. One person held his place in line. Another explained the form he could not decipher. The clerk slowed down and worked through it with him. Romans will not pry into your private life but they will steady you if you are visibly falling. Over time this combination of privacy and practical kindness shapes the way you move through the world. You stop fearing the quiet stretches of your own life. You stop believing that you must narrate every shift in direction. You learn to step away when you need to and return when you are ready. Rome teaches you that a person does not disappear simply because they stop performing. Don’t get me wrong: living here without a steady contract or a family network can be punishing. But the cultural tone softens the experience. Rome does not make your worst moments public property. It does not turn your uncertainty into a spectacle. It gives you enough room to fall out of rhythm without losing your place in the world. Some cities follow you with their expectations. Rome looks the other way and allows you to breathe. And sometimes that is enough. Not advice or reinvention. Simply a city that trusts you to find your way back in your own time, without having to explain why you left.

by Luciano Di Gregorio There are cities that punish you the moment you fall out of step. I have lived in many of them. Hong Kong, Sydney, London. In those places, forward motion is treated like a kind of moral virtue. If you stop, even for a moment, people look at you with the concern they would give someone who might faint. You learn to offer constant updates, steadying the tremor in your voice as you justify your lack of productivity. You claim that you are between contracts; you say that the market is strange right now, that the gap is strategic, when in reality you are taking time to work on a novel or taking a short break before the next thing begins. You make it clear that this pause is temporary, purposeful, already accounted for. Pause, in those cities, feels like a liability. If you are not visibly moving forward, you are expected to explain why. After a while you start to believe that any pause is the beginning of a kind of collapse. Rome does not work like that. It is a city where anonymity is not loneliness. It is permission. Nobody watches your tempo. Nobody treats your silence as a problem that must be solved. If you disappear for a few weeks, people assume you were living your life. If you reappear, they are just glad to see you. Rome doesn’t keep track of your absences. In my ten years in Hong Kong, I often felt as though the city kept a mental spreadsheet of who was advancing, who was being productive and who had paused. Any gap in your life needed an explanation, or you just avoided having them. In Rome you can fall off the map for a while and no one assumes it is a crisis. They simply assume you were living. I always felt that part of the explanation lies in Rome’s relationship with time. It is a city accustomed to delays, interruptions and negotiations with the past. Look at the building of metro lines, for example. Plans change, shift. Projects stall. You can watch a construction crew pause because someone has uncovered a column that no one expected to find. People complain, of course, but beneath the irritation there is an acceptance that nothing here moves in a straight line. The city has survived too much to be impressed by any sense of urgency. When you live around structures that have endured collapse after collapse, the idea of personal derailment begins to look far less dramatic. This perspective filters into the way Romans handle their own lives. People change direction without apology. They take work when it appears and let it go when it dries up. At the same time, Rome is also a place where people settle into jobs and remain in them for decades, not because those roles are perfect but because stability is rare and leaving can feel impossible. Both instincts coexist. You have people who drift and people who fossilise, and no one treats either path as a moral achievement or a personal failure. That is the point. Different tempos are allowed to exist without anyone insisting one is better. One friend of mine finished a psychology degree and then spent two years in a bakery because there was nothing else available. Another left her office job on a Wednesday morning and decided she would deal with the consequences later. These stories are not treated as revelations. They are part of the rhythm of the place. And instead of asking why your plans fell apart, Romans tend to ask something else entirely, which is whether you have eaten. I understand this sounds like a cliche lifted from a sentimental travel memoir, but it is true. It is their way of saying that you are still a person and you can sit down for a moment. You see this attitude everywhere. People are allowed to step back without becoming a talking point. A quiet period in your life is not read as a confession of failure. It is treated as something that happens to everyone sooner or later. Rome is far more comfortable with uncertainty than the cities that pride themselves on efficiency. Here, a pause is simply a pause. And when someone genuinely needs help, the city responds in another register entirely. Last year I watched an old man break down in the post office, papers shaking in his hands. Nobody stared. Nobody whispered. People stepped in at once. One person held his place in line. Another explained the form he could not decipher. The clerk slowed down and worked through it with him. Romans will not pry into your private life but they will steady you if you are visibly falling. Over time this combination of privacy and practical kindness shapes the way you move through the world. You stop fearing the quiet stretches of your own life. You stop believing that you must narrate every shift in direction. You learn to step away when you need to and return when you are ready. Rome teaches you that a person does not disappear simply because they stop performing. Don’t get me wrong: living here without a steady contract or a family network can be punishing. But the cultural tone softens the experience. Rome does not make your worst moments public property. It does not turn your uncertainty into a spectacle. It gives you enough room to fall out of rhythm without losing your place in the world. Some cities follow you with their expectations. Rome looks the other way and allows you to breathe. And sometimes that is enough. Not advice or reinvention. Simply a city that trusts you to find your way back in your own time, without having to explain why you left.