Culture ministry swoops in to buy 15th-century painting in a major victory for Italy’s cultural heritage.Italy has purchased Antonello da Messina's Ecce Homo, which Sotheby's had offered to the highest bidder last week, the Italian culture ministry confirmed on Monday.The work, a double-sided panel featuring an Ecce Homo on the front and a Penitent Saint Jerome on the back, was acquired for $14.9 million through a private negotiation with Sotheby’s.Antonello da Messina (c. 1430–1479) was a Sicilian painter of the Early Italian Renaissance, renowned for pioneering the use of oil paint in Italy and blending Flemish, Netherlandish realism with Italian, Venetian structure.Auction swoopThe painting had originally been scheduled to go under the hammer last Thursday, during the 'Master Paintings & Works of Art' sale at Sotheby’s in New York.However, the lot was withdrawn just hours before the auction began.Italian authorities, led by culture minister Alessandro Giuli, had been working behind the scenes for weeks to secure the piece.By moving into a private treaty before the auction, the Italian state avoided a bidding war with international billionaires and private museums, saving the work from disappearing into a private collection once again.Unique exampleWorks by Antonello da Messina are extremely rare: only about of his 40 paintings have survived, and this example, painted around 1460 after his return to his native Messina, was likely the last one in private hands.Un capolavoro del Quattrocento entra nel patrimonio pubblico. Lo Stato italiano ha acquisito l’“Ecce Homo” di Antonello da Messina, un’opera di eccezionale rarità e valore storico-artistico. Scopri di più: https://t.co/YpQOSTYJzp@museitaliani pic.twitter.com/2KW6fdqZQ1— Ministero della Cultura (@MiC_Italia) February 9, 2026 Hailing it as "a transaction of the highest cultural importance", Giuli said in a statement: "We waited a few days before announcing it out of respect for the authorities responsible for registering the purchase contract.""The work represents a unique example of Italian 15th-century art", Giuli stated, describing it as a "key element in the strategy of expanding and enhancing our cultural heritage, making it available to Italian citizens and visitors from around the world."A double-sided wonderThis specific Ecce Homo is considered one of the most important private acquisitions in Italy's recent history for several reasons.It is a small opisthograph panel (painted on both sides). The front shows a hauntingly human Christ crowned with thorns, while the back reveals Saint Jerome in a rugged, rocky landscape.Measuring only about 20 x 15 cm, its small size suggests it was a portable object for private prayer, possibly carried in a leather pouch by its 15th-century owner.The work also showcases the artist’s ability to blend the minute detail of Flemish oil painting with the psychological depth of the Italian Renaissance.Where will it be housed?The purchase of the painting has sparked speculation in Italy about where it will be displayed.While a final decision is still being finalised, the ministry has hinted that the masterpiece will be placed in a state collection that highlights the artist's pivotal role in Mediterranean art history.Current frontrunners for its permanent home include the Galleria Nazionale della Sicilia in Palermo, returning the work to the artist's homeland; Museo di Capodimonte in Naples where the painter trained under Colantonio; and the Uffizi in Florence which is home to several works by the artist.

Italy has purchased Antonello da Messina's Ecce Homo, which Sotheby's had offered to the highest bidder last week, the Italian culture ministry confirmed on Monday.

The work, a double-sided panel featuring an Ecce Homo on the front and a Penitent Saint Jerome on the back, was acquired for $14.9 million through a private negotiation with Sotheby’s.

Antonello da Messina (c. 1430–1479) was a Sicilian painter of the Early Italian Renaissance, renowned for pioneering the use of oil paint in Italy and blending Flemish, Netherlandish realism with Italian, Venetian structure.

Auction swoop

The painting had originally been scheduled to go under the hammer last Thursday, during the 'Master Paintings & Works of Art' sale at Sotheby’s in New York.

However, the lot was withdrawn just hours before the auction began.

Italian authorities, led by culture minister Alessandro Giuli, had been working behind the scenes for weeks to secure the piece.

By moving into a private treaty before the auction, the Italian state avoided a bidding war with international billionaires and private museums, saving the work from disappearing into a private collection once again.

Unique example

Works by Antonello da Messina are extremely rare: only about of his 40 paintings have survived, and this example, painted around 1460 after his return to his native Messina, was likely the last one in private hands.

Un capolavoro del Quattrocento entra nel patrimonio pubblico. Lo Stato italiano ha acquisito l’“Ecce Homo” di Antonello da Messina, un’opera di eccezionale rarità e valore storico-artistico.
Scopri di più: — Ministero della Cultura (@MiC_Italia)
Hailing it as "a transaction of the highest cultural importance", Giuli said in : "We waited a few days before announcing it out of respect for the authorities responsible for registering the purchase contract."

"The work represents a unique example of Italian 15th-century art", Giuli stated, describing it as a "key element in the strategy of expanding and enhancing our cultural heritage, making it available to Italian citizens and visitors from around the world."

A double-sided wonder

This specific Ecce Homo is considered one of the most important private acquisitions in Italy's recent history for several reasons.

It is a small opisthograph panel (painted on both sides). The front shows a hauntingly human Christ crowned with thorns, while the back reveals Saint Jerome in a rugged, rocky landscape.

Measuring only about 20 x 15 cm, its small size suggests it was a portable object for private prayer, possibly carried in a leather pouch by its 15th-century owner.

The work also showcases the artist’s ability to blend the minute detail of Flemish oil painting with the psychological depth of the Italian Renaissance.

Where will it be housed?

The purchase of the painting has sparked speculation in Italy about where it will be displayed.

While a final decision is still being finalised, the ministry has hinted that the masterpiece will be placed in a state collection that highlights the artist's pivotal role in Mediterranean art history.

Current frontrunners for its permanent home include the Galleria Nazionale della Sicilia in Palermo, returning the work to the artist's homeland; Museo di Capodimonte in Naples where the painter trained under Colantonio; and the Uffizi in Florence which is home to several works by the artist.