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Monday 20 October 2025 16:10

Monster of Florence: Netflix series tells the story of Italy's worst serial killer

The Monster of Florence crimes, a spate of brutal serial killings that terrorised Italy, is now the subject of a Netflix series.A new four-part Netflix series will tackle the infamous case of the Monster of Florence which has long been one of Italy’s most terrifying and perplexing unsolved crimes.Set for release on 22 October, The Monster of Florence promises a visceral retelling of the case, which saw a serial killer - or killers -  target eight young couples in secluded 'lovers' lanes' in the hills around Florence between 1968 and 1985. Widely considered Italy's first modern serial killer, the Monster of Florence was responsible for the murder and mutilation of eight couples - 16 people - including a French couple and a pair of German students. The crimes were marked by a gruesome ritualism, often involving the post-mortem sexual mutilation of the female victims, an aspect that fuelled sensational media coverage and theories linking the killings to satanic cults. The night-time murders and mutilations were carried out using a .22 Beretta revolver and a surgical knife. Investigation The investigation became one of the longest and most complex in Italian history, spanning 17 years and resulting in numerous false leads, wrongful arrests and conflicting theories. Despite the convictions of a few individuals later linked to the chilling case, the identity of the person - or persons - behind the killing spree remains a mystery. In the early 1990s several people were convicted for involvement in the murders, however the exact sequence of events, the identity of the main perpetrator, and the motives remain unclear. Pietro Pacciani, an itinerant farm labourer, was convicted in 1994 of murdering seven of the eight couples. However his conviction was overturned and a new trial was ordered. Police then began to suspect that the crimes had been committed by a group led by Pacciani who died before the second trial could begin. Subsequently two of his alleged accomplices - Giancarlo Lotti and Mario Vanni - were convicted of the murders. They have both since died in jail: Lotti in 2002 and Vanni in 2009. Despite the convictions, police retained doubts about the case, with multiple unexplained factors including the possible involvement of a high-society satanic sect in orchestrating the murders. Netflix series The Italian-produced series was directed by Stefano Sollima, known for his work on gritty crime dramas including Gomorrah and Suburra. The series, which comes as Netflix celebrates 10 years in Italy, was filmed on location in Florence and the surrounding Tuscan countryside. It draws heavily on real events, direct testimonies, court records and journalistic investigations to reconstruct the national panic and the convoluted, decades-long search for the killer. According to the producers, the limited series is not an attempt to definitively solve the case but rather to immerse the audience in the climate of fear and suspicion that permeated Italy. The official synopsis hints at the complexity of the narrative, stating, "In a story where there have been many possible monsters, over time and investigations, our story focuses on them, the possible monsters, from their point of view. Because the monster, in the end, could be anyone.”

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A new four-part Netflix series will tackle the infamous case of the Monster of Florence which has long been one of Italy’s most terrifying and perplexing unsolved crimes. Set for release on 22 October, The Monster of Florence promises a visceral retelling of the case, which saw a serial killer - or killers -  target eight young couples in secluded 'lovers' lanes' in the hills around Florence between 1968 and 1985. Widely considered Italy's first modern serial killer, the Monster of Florence was responsible for the murder and mutilation of eight couples - 16 people - including a French couple and a pair of German students. The crimes were marked by a gruesome ritualism, often involving the post-mortem sexual mutilation of the female victims, an aspect that fuelled sensational media coverage and theories linking the killings to satanic cults. The night-time murders and mutilations were carried out using a .22 Beretta revolver and a surgical knife. Investigation The investigation became one of the longest and most complex in Italian history, spanning 17 years and resulting in numerous false leads, wrongful arrests and conflicting theories. Despite the convictions of a few individuals later linked to the chilling case, the identity of the person - or persons - behind the killing spree remains a mystery. In the early 1990s several people were convicted for involvement in the murders, however the exact sequence of events, the identity of the main perpetrator, and the motives remain unclear. Pietro Pacciani, an itinerant farm labourer, was convicted in 1994 of murdering seven of the eight couples. However his conviction was overturned and a new trial was ordered. Police then began to suspect that the crimes had been committed by a group led by Pacciani who died before the second trial could begin. Subsequently two of his alleged accomplices - Giancarlo Lotti and Mario Vanni - were convicted of the murders. They have both since died in jail: Lotti in 2002 and Vanni in 2009. Despite the convictions, police retained doubts about the case, with multiple unexplained factors including the possible involvement of a high-society satanic sect in orchestrating the murders. Netflix series The Italian-produced series was directed by Stefano Sollima, known for his work on gritty crime dramas including Gomorrah and
Suburra
. The series, which comes as
Netflix celebrates 10 years in Italy
, was filmed on location in Florence and the surrounding Tuscan countryside. It draws heavily on real events, direct testimonies, court records and journalistic investigations to reconstruct the national panic and the convoluted, decades-long search for the killer. According to the producers, the limited series is not an attempt to definitively solve the case but rather to immerse the audience in the climate of fear and suspicion that permeated Italy. The official synopsis hints at the complexity of the narrative, stating, "In a story where there have been many possible monsters, over time and investigations, our story focuses on them, the possible monsters, from their point of view. Because the monster, in the end, could be anyone.”
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